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Greek Mythology: seminar 4

March 25, 2010

Hero-cult

I think I am going to leave it here for the seminars on this module, as the last one was simply a revision session ahead of the exam – you can access the passages we used on the Greek Mythology page.

This was quite a difficult topic for students to get their heads round. Quite simply, our conception of ‘hero’ is rather different from that of the ancient Greeks. A hero, in Greek thought, was an individual who lived in the pre-historical ‘heroic’ age – up till the end of the Trojan War. To us, ‘hero’ implies Superman, or a war-veteran, or a fireman who saves kittens from a burning building (or even some depictions of Heracles) – someone who has done something special, above and beyond the call of duty, something ‘heroic’.

It was difficult then, to reconcile this notion with the heroes under question: Heracles, Oedipus, and Neoptolemus. All were figures of the heroic age, all were worshipped in cult, but all were very ambivalent characters. Heracles is a particularly good (or bad) example – he is a uniquely transgressive figure, and as such is worshipped as both god and hero. Yet there seems to be no mention of a heroon for him – plenty of shrines, but no real centre of ‘hero’ cult. Oedipus is similarly transgressive, and his cult centre is at Athens, where he came, a suffering old man, at the end of his life. Neoptolemus is most famous for his bad behaviour during the Trojan War – throwing Astyanax off the walls, murdering Priam, installing Andromache as his concubine and parading her in front of his wife…there is even ambiguity as to his death; whether he went to Delphi to challenge Apollo or to propitiate him.

My students were puzzled by the question ‘why are these figures worshipped?’ They were not ‘good guys’, but were intrinsically flawed individuals. And so a lot of ensuing discussion focused on the role of heroes in Greek literature, society and religion; trying to strip away our 21st-century cultural colouring and address the issue of what it means to be a ‘hero’ in the ancient Greek world.

The adventure continues…

June 22, 2009

So. Here I am again. Apologies for the long absence, things got a bit hectic for awhile. In chronological order, there was a job interview. I got the post, and from September will be a University Teacher in Greek Literature at the University of Nottingham. Among other things, I’m designing and rolling out a module on Greek mythology as part of that job, and I hope to use this blog to develop teaching materials and discussions. Watch this space.

There was then the submission of PhD corrections, which went mostly smoothly. The final *final* version is in now, the ceremony scheduled for the 15th July, and this will then be Dr Badnall’s webpage. Which is a strange thought after so long, but a good one.

Currently, there is editing of articles on Plutarch and Monty Python for submission to two collective volumes, stemming respectively from the International Plutarch Society Congress 2008 and AMPAL 2007. Having to order books from overseas booksellers that aren’t available in this country has slowed me down, but work is progressing.

In and around all this, the Greek Novel chapter is underway, and when the articles are finished, I should have a good stint of research time before the job starts to finish that. There are some interesting ideas bouncing around in my head, mainly concerning the inversion or manipulation of ‘telos’ in the genre, and I am struck by just how much the ancient novelists seemed to recognise this concept as an integral aspect of marital writing and in just how many different ways they all play around with it. But that’s a teaser for another post…


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