Posts Tagged ‘Bacchae’

It’s all about the Mysteries? Bacchae lecture 2

June 3, 2011

The danger of basing any analysis of the Bacchae on the assumption that it deals with the tensions inherent in Maenadism is that we have no evidence, barring the trieretic trip of the women of Attica to Mount Parnassus, of Maenadic cult at Athens in the period of Euripides’ composing. If there are cultic allusions in the play, and we know Euripides was fond of these, are they to be found in any other Dionysiac rituals?

Seaford (1981, 2006) sees the play as predicated upon initiation into the Dionysiac mystery cults, of which we do have evidence for the classical period – though of these, our only Athenian evidence comes from Aristophanes’ Frogs, where a chorus of Eleusinian initiates pays homage to the god as Iacchus.

Like Maenadism, these cults seemed to be viewed with suspicion and hostility – the story of the initiation of king Scylas of Scythia in Herodotus 4.79 is akin to that of Pentheus, whose death is seen as a failed initiation: a rite of passage never completed, in which the symbolic death of the initiate pending rebirth to a better state of life becomes actual slaughter as he refuses to accept the divine light and truth promised by Dionysus. In mystic cult, the sparagmos myth articulates the death of Dionysus (as the son of Zeus and Persephone) at the hands of the Titans.

This mythology never features in the Bacchae, so we should be wary of drawing analogies too strongly, or translating, as does Seaford (1996), every instance of teletai as ‘initiation rites’. From the Frogs through the Orphic Gold Leaves and Plutarch’s discussion of his own Dionysiac faith, initiation into this cult posits a blessed life after death – an eschatological element that Euripides seems to ignore. Perhaps it is better to see the ‘initiation’ as does Segal (1997), in terms of general ephebic initiation, in which Pentheus fails to separate himself from the female sphere and achieve his identity as an adult male.

Or, perhaps, to work outwards from this supposition – that the Bacchae, as do many tragedies, articulates the problems of incorporating any marginal group into the community, and the tensions and problems inherent in society’s rhetoric of incorporation.

To the Mountain!

May 4, 2011

It’s a new term here in Oxford, and the fact that I’d only given 4 lectures out of my Faculty stint of 12 caught up with me this week – I have 4 to do on Euripides’ Bacchae, and 4 on Greek Literature of the 5th Century BC. This Monday saw me (despite a hideous computer virus that caused me to lose several hours’ worth of work) starting the Bacchae course with a lecture on Greek Maenads.

One of Euripides’ last plays, detailing the opposition of the Theban king Pentheus to Dionysus’ establishment of his rites in the city, the play is unmistakably ‘Dionysiac’, made more so by the meta-theatricality of its performance in the Theatre of Dionysus during the City Dionysia festival. But how far is it actually connected with, or does it reflect, the realities of his cult in the ancient world? Whether you follow Seaford in pinning your colours to the flag of initiatory ritual, or Dodds, Henrichs and Bremmer in trying to make sense of the play through the lens of (or even by reconstructing) Maenadic cult, the question remains: how far does the play inform our understanding of Dionysiac ritual, and vice-versa? How far is it “to do with Dionysus”, how far does it reflect general cultural concerns about women’s cults and place in society, and how far is it just good drama?

The first lecture focused on Maenadic ritual, reading the Bacchae against several Hellenistic inscriptions and documentary evidence in Plutarch, Pausanias and Diodorus Siculus. Where there were crossovers, a terminology of Maenadism could be established: their rites were called orgia and hiera, tended to be biannual, took place outside the city in the mountains, used ritual implements such as the thyrsus, and featured dancing and ritual invocations such as “Euoi!”, that celebrated the god as epiphanic and present in manic possession. Maenadic cult took place in many areas of the Greek world, including Magnesia, Miletus, and Attica/Delphi, but its spiritual home was Thebes where the daughters of Cadmus were held up as paradigmatic Maenads.

There were, however, fundamental differences. Our evidence points to a civic-sponsored ritual, to the existence of thiasoi (bands) that included men, and to the eating of raw flesh (omophagion) being a toned-down mimicry of the Maenadic sparagmos in the Bacchae. The myth exaggerates and explains the ritual: it gives a more extreme version of events – the dramatic and threatening aspects of which are then further highlighted by the playwright. It warns against the rejection by the city of a cult which, in ‘real time’, had become an accepted and beneficial part of the civic framework.


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